Discovering...
Discovering...

The great triple-arched Blue Gate is the ceremonial entrance to Fes el-Bali and one of Morocco's most photographed monuments. This guide explains why it is blue on the outside and green within, how to time your photos with the light, the minaret it perfectly frames, and the cafes that watch over it.
What it is
The monumental western gate and main tourist entrance to Fes el-Bali
Built
1913, in a Moorish-revival style under the French protectorate
The two faces
Blue tilework outside, green tilework inside
Frames
The minaret of the Bou Inania Medersa through its central arch
Entry fee
Free - it is a gate you walk through
Leads to
Talaa Kebira and Talaa Sghira, the medina's two main streets
Best light
Late afternoon on the blue outer face; morning for the green
Around it
Cafe terraces overlooking the gate and square
Leila Tazi· Fes, Culture & Cuisine Editor
Fes-based journalist with a food and crafts obsession, Leila spends her weeks between the tanneries, the Qarawiyyin quarter and the kitchens of the old city. She covers Fes, Meknes, food and Moroccan culture. Fes · 11+ years covering Morocco
Published 12 August 2024 Last updated 17 July 2026
For most visitors, Bab Bou Jeloud is where Fes begins. This monumental triple-arched gate is the principal western entrance to Fes el-Bali, the point where the modern approach roads and taxi ranks give way to the pedestrian world of the old city. Step through it and you are immediately at the head of Talaa Kebira and Talaa Sghira, the two great streets that funnel down through the souks toward the Kairaouine, so nearly every medina walk starts or ends here.
Despite its ancient-looking splendour, the gate as you see it is not medieval. It was built in 1913, early in the French protectorate, in a Moorish-revival style, monumentalising an older, humbler entrance on the site to create a grand ceremonial threshold to the imperial city. That makes it far younger than the 1,100-year-old medina it introduces - a piece of early-20th-century stagecraft that has become, fairly enough, one of the enduring symbols of Fes.
The gate's fame rests on its skin of glazed faience, and on a clever piece of symbolism built into it. The outer, western face - the one you see as you approach from outside the walls - is covered in intricate floral and geometric tilework in a deep cobalt blue, the colour long associated with the city of Fes and its celebrated 'Fes blue' ceramics. Pass through, turn around, and the inner, eastern face facing into the medina is worked in the same patterns but in green, the colour of Islam, greeting those who enter the holy city.
So the gate reads differently coming and going: blue to the world outside, green to the faithful within. Both faces are elaborately decorated, with bands of Kufic inscription and dense arabesque tile panels around the three horseshoe arches. It is a small lesson in how colour carries meaning in Moroccan architecture, and knowing it turns a quick photo stop into something you actually look at - remember to walk through and glance back to see the green side that many visitors miss.
The single most famous composition at Bab Bou Jeloud is the view through it. Stand back on the western side and look through the central arch, and the tall green-and-white minaret of the Bou Inania Medersa rises perfectly framed within the tiled opening, with a second minaret often visible alongside. It is one of the defining images of Fes, reproduced on countless postcards and book covers, and it is genuinely as good in person as in the photographs.
The framing is best appreciated a little way back from the gate, where the arch neatly encloses the minaret, rather than right underneath it. It is also a useful orientation: the minaret you can see through the arch belongs to the grandest medersa in the city, only three minutes' walk inside, which makes the Bou Inania the obvious first stop once you pass through. Line up the shot, then go and stand at the foot of the tower you just photographed.
Because the two faces point in opposite directions, the light on them changes through the day, and timing your visit makes a real difference to your photos. The blue outer face looks roughly west, so it takes warm, direct light in the late afternoon and glows at sunset; the green inner face looks east and is at its best in the morning. The middle of the day flattens both faces under harsh overhead sun and brings the biggest crowds, so it is the least rewarding time for pictures.
For the framed minaret through the central arch, an overcast sky or the softer light of morning and late afternoon avoids blowing out the bright opening against the shaded arch. And do not overlook the blue hour just after sunset, when the gate is lit, the cafe terraces glow and the tilework takes on a jewel-like intensity against the darkening sky. The table sets out the windows so you can plan around them.
| Time | Best subject | Why |
|---|---|---|
| Early morning | Green inner face; empty arches | East-facing green face lit; few people |
| Midday | Detail shots only | Harsh flat light, busiest crowds |
| Late afternoon | Blue outer face | Warm west light on the cobalt tiles |
| Sunset / blue hour | Whole gate, lit | Glowing tiles and cafe terraces |
| Overcast any time | Framed minaret through the arch | Even light balances bright sky and shade |
Bab Bou Jeloud is ringed by cafes and terraces, and they are part of the experience. Just inside and beside the gate, several cafes have upper floors and rooftops whose tables look straight onto the tiled arches and down the opening lanes of the medina - the classic spot to sit with a mint tea and watch the constant theatre of people, mules and porters passing through the gate. The little square outside, sometimes busy with buskers and hawkers, adds to the sense of a threshold and a meeting point.
These terraces double as a strategic base. They give you an elevated view for photographs, a place to rest before or after the exertions of the medina, and a chance to plan your route into the souks. Prices are a little higher than deep in the medina because of the location, but the seat and the view are worth it. For eating properly nearby, the food stalls of the Bou Jeloud area are a highlight of our Fes street food guide.
Bab Bou Jeloud is the grandest and most-used entrance, but Fes el-Bali has many gates, and knowing the main ones helps you plan how to enter and leave without long detours. Bab Guissa in the north is the gate for the climb to the Merenid Tombs; Bab R'cif, roughly central, drops you close to the Kairaouine and has a taxi-friendly square; and Bab Ftouh in the southeast is a busy local gate near the old cemeteries and the potters' quarter. Toward Fes Jdid, further gates lead to the royal palace district.
The practical trick in a city this large is to enter by one gate and leave by another rather than retracing your steps through the maze. Walk in downhill through Bab Bou Jeloud, thread the souks to the Kairaouine, and exit at Bab R'cif for a taxi, for example. The table compares the main gates so you can match your entrance and exit to where you are going.
| Gate | Side | Best for |
|---|---|---|
| Bab Bou Jeloud (Blue Gate) | West | The grand entrance; cafes and photos |
| Bab Guissa | North | The climb to the Merenid Tombs |
| Bab R'cif | Central | Close to the Kairaouine; taxi square |
| Bab Ftouh | Southeast | Local gate near cemeteries and potters |
| Bab Semmarine / Fes Jdid gates | West | Toward the royal palace district |
The gate is free and always open - it is a working entrance to the city, not a ticketed monument - so you can pass through and photograph it at any hour. Petit taxis and buses serve the roads just outside, and it is the standard drop-off and pick-up point for the western medina, so it is the easiest place to start a walking day. Just beyond it, the shaded Jnan Sbil gardens make a cool first or last stop.
From the gate, the natural plan is to walk downhill: pause at the Bou Inania Medersa whose minaret you photographed, drift down Talaa Kebira through the souks to the Al-Attarine Medersa and the Kairaouine, and finish at the tanneries, before a sunset up at the Merenid Tombs. Our 3 days in Fes itinerary builds exactly this kind of day around the Blue Gate as the starting point.
Because its outer, western face is covered in intricate faience tilework in a deep cobalt blue, the colour long associated with the city of Fes and its famous ceramics. Turn around once you have passed through and the inner, eastern face is worked in green, the colour of Islam, welcoming those entering the holy city. So it is really a two-coloured gate - blue to the outside world, green to the medina within.
The grand gate you see today was built in 1913, early in the French protectorate, in a Moorish-revival style that monumentalised an older, plainer entrance on the site. That makes it much younger than the medina it introduces, which dates back over a thousand years. Despite its relatively recent date, it has become one of the enduring symbols of Fes and its most photographed gateway.
The central horseshoe arch famously frames the tall green-and-white minaret of the Bou Inania Medersa, with a second minaret often visible alongside. It is one of the classic photographs of Fes. The framing works best from a little way back on the western side, where the arch neatly encloses the minaret. The Bou Inania itself is only about three minutes' walk inside the gate.
The blue outer face looks roughly west, so it glows in warm late-afternoon and sunset light, while the green inner face looks east and is best in the morning. Midday brings harsh flat light and the biggest crowds, so it is the weakest time. The blue hour just after sunset, when the gate is lit and the tiles glow against a dark sky, is a favourite. For the framed minaret, soft or overcast light balances the bright opening against the shaded arch.
No. Bab Bou Jeloud is a working gate and the main western entrance to the Fes medina, not a ticketed monument, so it is free to walk through and photograph at any time of day. Your only spending nearby would be a drink at one of the cafe terraces overlooking the gate, which are a fine place to sit and watch the flow of people through the arches.
A great deal. Just inside are cafe terraces overlooking the gate, and the head of Talaa Kebira and Talaa Sghira, the medina's two main streets. Three minutes' walk in stands the grand Bou Inania Medersa. Just outside lie the shaded Jnan Sbil gardens and the road to the Fes Jdid royal district, while the climb to the Merenid Tombs starts from Bab Guissa to the north. The gate is the natural starting point for a walk down into the old city.
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