Discovering...
Discovering...

Fes has made blue-and-white pottery for over a thousand years. These workshops let you sit at a foot-kicked wheel, shape clay with a master artisan, and paint your own piece to take home.
Leila Tazi· Fes, Culture & Cuisine Editor
Fes-based journalist with a food and crafts obsession, Leila spends her weeks between the tanneries, the Qarawiyyin quarter and the kitchens of the old city. She covers Fes, Meknes, food and Moroccan culture. Fes · 11+ years covering Morocco
Published 5 August 2025 Last updated 31 March 2026
Yes, tourists can do a pottery class in Fes — and it is one of the most satisfying craft experiences Morocco offers. The Ain Nokbi pottery quarter, just south of the old medina walls, still operates the same way it did under the Merinid sultans: clay dug from the valley, foot-kicked wheels, wood-fired kilns, and cobalt blue applied by hand. Workshops here do not feel staged. The maâlems (master artisans) are working potters first and teachers second.
A typical session lasts two and a half to three hours and involves two distinct skills: throwing on the wheel (harder than it looks, more satisfying than you expect) and painting traditional Fassi motifs onto your dried piece. The finished item goes into the kiln and can be shipped to you or collected a couple of days later. Prices run from around 300 MAD ($30) for a group session to roughly 1,000 MAD ($100) for a private half-day — competitive with cooking classes and far cheaper than equivalent craft workshops in Europe.
Getting to the right workshop is the trickiest part. The Ain Nokbi district is easy to reach by taxi but harder to navigate on foot from Bab Boujloud. Several tourist-facing "pottery schools" in the medina are actually showrooms with a token wheel in the corner. The workshops worth your time are the ones where the kiln is actually lit and finished pieces cool on racks outside — you will smell the wood smoke before you see the door.
A morning session runs roughly like this — timing shifts by workshop, season and group pace.
09:00
Most workshops are in or just outside the Ain Nokbi pottery quarter — a 10-minute walk from Bab Guissa or a short taxi ride from Bab Boujloud. Your guide introduces the history of Fassi blue-and-white ware before you enter the atelier.
09:30
A master potter (maâlem) demonstrates centring, opening, and pulling a basic cylinder. The wheel in a traditional Fes workshop is foot-kicked, not electric — the rhythm takes five minutes to find. Expect to make something lopsided and wonderful.
10:30
With the maâlem guiding your hands you coax a small bowl, cup, or tagine lid from about 500 g of local clay. Fes clay is dense and khaki-coloured before firing; the characteristic white comes from a tin-oxide glaze applied later.
11:15
Once your piece has air-dried for 20–30 minutes the painting begins. Traditional Fassi motifs — interlocking arabesques, floral medallions, geometric borders — are applied freehand with cobalt oxide mixed into a white glaze. You choose a motif from reference cards or freestyle.
12:00
Your piece goes into a wood-fired kiln for a first bisque firing (usually overnight). Most workshops arrange for shipping or collection two to three days later, after the second glaze firing. You leave with a certificate and photos.

Finished pieces air-dry before their first bisque firing. The characteristic white ground comes from a tin-oxide glaze, not the clay itself.
Fes pottery is defined by a strict two-colour palette — cobalt blue on a white tin-glaze — fired to a dense, chip-resistant finish. That discipline, maintained across a thousand years, is what sets it apart.
| Tradition | Origin city | Palette | Technique |
|---|---|---|---|
| Fassi blue | Fes | Cobalt blue on white | Wheel-thrown; tin-oxide glaze; wood kiln |
| Safi polychrome | Safi | Blue, green, yellow, red | Wheel-thrown; lead-free polychrome enamel |
| Tamegroute green | Tamegroute | Matte sage green | Wheel-thrown; manganese-copper glaze |
| Oulja cream | Salé/Oulja | Natural terracotta / cream | Hand-built tagines; unglazed or lightly glazed |
| Marrakech terracotta | Marrakech | Earthy reds and oranges | Hand-formed; decorative rather than functional |
The Fes tradition traces back to Andalusian potters who settled here after the Arab conquest of Iberia, bringing with them the tin-oxide glaze technique that was already ancient in Mesopotamia. A workshop session makes the history tangible in a way that looking at finished plates in a souk never quite does.
Prices vary between workshops; the figures below are indicative ranges. Shipping is always extra.
Tipping the maâlem 50–100 MAD is customary and appreciated. If you arrive independently, agree on the full price (including firing and any shipping) before you pick up the clay.
Location
Ain Nokbi quarter, south of Fes el-Bali
Duration
2.5–3 hrs (group) / 4–6 hrs (full-day)
From
~300 MAD / $30 pp (indicative)
A petit taxi from Bab Boujloud costs 20–30 MAD and takes ten minutes. Tell the driver "Ain Nokbi — les potiers." On foot, exit the medina via Bab Ftouh and follow the lane south — the kilns are visible from the road. Google Maps is accurate here; the quarter has a pin.
Clay finds every gap. Wear or bring clothes you do not mind staining — aprons are provided at most workshops but do not cover your forearms. Closed-toe shoes are advisable; the workshop floors are wet and uneven.
If you have a couple of days in Fes, collecting is simplest. The workshop will text you or message on WhatsApp when firing is done (typically 2–4 days). Shipping is straightforward via DHL or a local courier; ask for the workshop's preferred partner and get a written price before you leave.
A private guide who knows the Fes craft quarter is genuinely useful here — not because Ain Nokbi is hard to find, but because the better workshops are not signposted in English and the maâlems may not speak much beyond Darija and French. A guide can broker the introduction, ensure the price is fair, and translate the finer points of technique as the session unfolds.
Absolutely. Several workshops in the Ain Nokbi pottery quarter and inside Fes el-Bali cater specifically to visitors, with sessions in English and French. You do not need to book months ahead — a few days’ notice is usually enough, though peak season (March–May and September–November) fills faster. A private guide or tour operator can pre-arrange a session so you arrive to a prepared wheel rather than joining a waiting list at the door.
A group session including wheel time and hand-painting runs from around 300 to 450 MAD (roughly $30–$45) per person. Private sessions for two people typically cost 700–1,000 MAD total. Full-day workshops that include a medina walk, lunch, and extended studio time are available from about 900 MAD per person. These are indicative 2026 prices — individual workshops set their own rates and they vary by atelier reputation and what is included.
The Ain Nokbi quarter, just south of the old city walls, is the traditional home of Fes ceramics production — you can hear the foot-wheels and smell the wood smoke from the street. Several ateliers here welcome walk-in visitors and run structured workshops. Within Fes el-Bali itself, there are smaller teaching studios near the Moulay Idriss II shrine area. The most reputable workshops have a small showroom of finished pieces and a licensed maâlem (master artisan) who does the instruction personally rather than delegating to an apprentice.
A standard session runs two and a half to three hours: roughly an hour on the wheel, thirty minutes of drying time (good for a mint tea break and a look around the atelier), then an hour or more painting your piece. A full-day format extends this to five or six hours by including a guided walk through the pottery souk, lunch at a nearby restaurant, and time to decorate a second piece. If you are a confirmed ceramics enthusiast, the full-day version is worth the extra cost.
No experience is needed. The traditional foot-kicked wheel is slower and more forgiving than an electric wheel — beginners find it easier to control the pace. The maâlem will place their hands over yours for the most critical moments of centring and opening. Painting is approachable at any skill level because you choose from template motifs; freehand is available if you want it. Children from around age eight can usually participate, though check with your chosen atelier beforehand.
Yes, though planning is required. After you throw and paint your piece it needs two firings — bisque and glaze — which together take two to four days. Most ateliers will courier ship to Europe for around 350–600 MAD extra, and to the US for somewhat more. Alternatively, if you are in Fes for several days, you can collect the finished piece yourself. Carrying it in checked luggage (well-padded with clothing) is the cheapest option for small pieces; for anything larger than a medium bowl, shipping is sensible. Ask the workshop about their preferred shipping partner before you leave.
Fes pottery — often called "Fassi blue" or "bleu de Fès" — is wheel-thrown from local clay, coated in a white tin-oxide glaze, and decorated exclusively with cobalt-blue pigment in geometric and floral patterns. It is fired at relatively high temperatures in wood-fuelled kilns, giving it a dense, chip-resistant body. Safi pottery (200 km southwest) uses polychrome decoration with greens, yellows, and reds. Tamegroute pottery from the south is recognisable by its distinctive matte green manganese glaze. The Fes tradition dates back roughly a thousand years and is closely linked to the Andalusian craftsmen who settled here in the 9th century.
Plan it with a local expert
Crafting extraordinary journeys through Morocco's timeless landscapes. 100% private journeys, handcrafted around you.
from $2,054Essential Morocco: Imperial Cities Circuit
from $5,978Sahara to Sea: Morocco Complete