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Atay — as it is called in Darija — is brewed with Chinese gunpowder green tea, packed with fresh spearmint, sweetened in the pot, and poured from height. The method is simple; the ritual is everything.
Leila Tazi· Fes, Culture & Cuisine Editor
Fes-based journalist with a food and crafts obsession, Leila spends her weeks between the tanneries, the Qarawiyyin quarter and the kitchens of the old city. She covers Fes, Meknes, food and Moroccan culture. Fes · 11+ years covering Morocco
Published 27 January 2026 Last updated 9 May 2026
Moroccan mint tea is not difficult to make. What takes practice is the pour — that steady, high-arcing stream that froths the surface and cools the liquid just enough to drink in one warm rush. Sit in any riad courtyard or Sahara camp long enough and you will watch someone do it with the casual fluency of someone who has made fifty pots that day.
The recipe has three components: gunpowder green tea (not any green tea — specifically the rolled Chinese pellet variety that Moroccan spice merchants stock under the label "3505"), fresh spearmint (nana, never dried if you can help it), and white sugar added to the pot before steeping. Nothing else goes in — no milk, no lemon, no honey. The technique that turns those three ingredients into something worth drinking twice a day for the rest of your life is what this guide covers.
These amounts make a standard berrad — a small Moroccan teapot. Scale up proportionally for a larger pot.
| Ingredient | Amount | Note |
|---|---|---|
| Gunpowder green tea (grade 3505) | 1½ – 2 tsp per pot | Chinese variety sold widely in Moroccan souks |
| Fresh spearmint (nana) | One large handful | Mentha spicata — not peppermint or dried mint |
| White sugar | 3 – 5 tsp per pot | Adjust to taste; never honey or sweetener |
| Water | ~400 ml per pot | 85–90 °C, not a rolling boil |
Equipment: A small brass or stainless-steel teapot (berrad) is ideal. Failing that, any 400–500 ml metal or glass teapot works. Small handle-free tea glasses (kisan) are traditional; an espresso cup is a reasonable substitute. A fine strainer is useful but not strictly necessary if you pack the mint tightly.
Follow these six steps in order. The wash in step 2 and the tasdira in step 5 are the two most commonly skipped — both make a measurable difference to the final cup.
Fill the pot with freshly boiled water, swirl it around, and discard. This warms the metal and removes any residue. Use a small brass or stainless teapot — the traditional Moroccan berrad — if you have one; it holds heat well and makes the high pour easier.
Put 1½–2 teaspoons of Chinese gunpowder green tea (Camellia sinensis, grade 3505) into the pot. Pour about 100 ml of boiling water over the leaves, swirl for 10 seconds, then pour this first wash away — it removes the slight bitterness of the raw leaf without stripping the flavour.
Pack the pot with a generous handful of fresh spearmint (nana mint — Mentha spicata — not peppermint). Add three to five teaspoons of white sugar directly into the pot, not the glass. The amount is genuinely a matter of family preference; in rural areas the tea is extremely sweet, urban households often go lighter.
Fill the pot to about three-quarters capacity with water that has just come off the boil (around 85–90 °C — not a rolling boil, which scorches the mint). Place the pot over a low flame for 2–3 minutes to let the flavours meld, or simply leave it to steep for 4 minutes off the heat.
Pour a single glass, taste it for sweetness and strength, then pour it back into the pot. This final "marriage" step — called tasdira — blends the layers in the pot and is not optional if you want the tea evenly flavoured throughout.
Hold the pot high — ideally 30–40 cm above the glass — and pour in a thin, steady stream. The height aerates the tea, creates a thin foam on top, and slightly cools the liquid so it can be drunk quickly. The foam is the mark of a well-made glass; a flat pour is considered poor form.

In Morocco, offering tea is an act of hospitality so ingrained it functions as punctuation. You arrive at a riad — tea. You sit down to discuss a carpet in the souks — tea. You wait at a Sahara camp while the camels are saddled — tea. Refusing the first glass is possible but slightly jarring; accepting it, even for a single sip, costs nothing and means a great deal.
The old saying about three glasses — bitter as life, strong as love, sweet as death — overstates the variation (the same pot is poured into each glass), but the expectation of at least two glasses is real. The third glass is the host's way of saying the hospitality has been generous; declining it gracefully is fine. To signal you are finished, place your hand over the glass or set it upside down on the tray.
Tea-making in Morocco is historically a male-coded domestic skill, though this varies enormously by region and generation. In the Sahara camps it is always the male host who prepares and pours; in Marrakech riads or urban apartments, whoever knows best simply does it. Either way, the maker is watched. A foam-topped glass poured from height is a point of quiet pride; a flat, lukewarm glass poured from close range is mildly embarrassing.
Never in the glass — this ensures every pour is evenly sweetened.
Aim for at least 30 cm above the glass for a proper foam head.
One pot serves three glasses; accepting two is polite minimum.
Chiba (wormwood) tea: In northern Morocco — particularly around Tetouan and Chefchaouen — a small sprig of dried wormwood (Artemisia absinthium, called chiba) is added alongside the mint. It contributes a faintly bitter, almost anise-like back note. You can buy dried chiba in any northern medina spice stall; a little goes a long way.
Louiza (verbena) tea: Lemon verbena (Lippia citriodora, louiza in Darija) replaces or supplements the mint in winter when fresh spearmint is scarce. The flavour is lighter and more citrus-forward — popular as an after-dinner digestif in Marrakech.
Saharan sweet tea: In the Draa Valley and south towards M’hamid and Zagora, the sugar-to-tea ratio escalates sharply. Three heaped teaspoons becomes five or six; the resulting drink is viscous and intensely sweet, served in smaller glasses and consumed very quickly. First-timers sometimes find it difficult; by the third glass it is addictive.
Orange blossom water: A few drops of ma zahar (orange-blossom water) are added in some Fassi (Fes) households, particularly when entertaining guests at celebrations. It is not everyday tea but a subtle elevation for special occasions.
The base is always Chinese gunpowder green tea — rolled pellets of Camellia sinensis, typically grade 3505. The pellets unfurl as they steep and produce a stronger, slightly smoky infusion than other green teas. You will find it labelled "thé vert Chine 3505" in every Moroccan grocer and souk spice stall. Loose-leaf sencha or matcha are not substitutes and will produce a different — and to most Moroccans, incorrect — flavour.
Pouring from 30–40 cm above the glass serves two purposes: it aerates the tea, producing the foam (natcha) that signals a skilled pour, and it drops the temperature just enough to drink quickly. There is also a social dimension — the drama of the high pour is part of the hospitality ritual. A host who barely lifts the pot above the glass is considered to be hurrying guests. In competition among tea makers, the height can exceed 50 cm.
There is no single answer, which surprises many visitors. The standard is three to five teaspoons per 400 ml pot, stirred in before steeping rather than added to the glass. Sugar in the pot means every glass poured has the same sweetness. In the Sahara and rural Souss region the tea is extremely sweet — sometimes described as "tea-flavoured syrup" by foreigners — while coastal and urban households often reduce it significantly. Asking for tea without sugar (bla sukkar) is understood and never rude.
The traditional saying is that you should drink three glasses: the first is as bitter as life, the second as strong as love, the third as sweet as death. In practice, one pot typically fills three to four small glasses and a respectful guest accepts at least two. Declining the first glass is awkward; declining after two or three is perfectly acceptable by placing your hand over the glass or gently tipping it. Leaving a glass fully undrunk is mildly impolite.
Yes, but the timing matters. Accepting the first glass honours the host's hospitality; declining before the first sip is more likely to cause mild awkwardness. To decline gracefully, say "shukran, barak Allahou fik" (thank you, God bless you) and place your hand lightly over the glass. Dietary or health reasons are always understood. Refusing on principle — for instance because you dislike sugar — is best softened by simply accepting and taking small sips rather than declining outright.
Both use gunpowder green tea and fresh mint, but there are two meaningful differences. Tunisian tea often incorporates pine nuts floated on the surface of the second glass (a peanut-like garnish rarely seen in Morocco), and it is commonly flavoured with a small amount of orange-blossom water. Moroccan tea, by contrast, is straightforward: tea, mint, sugar. Algerian tea sits somewhere between the two, sometimes adding geranium leaves. Moroccan tea also tends to be poured in a more theatrical style — the high pour is a specifically Moroccan flourish.
Dried mint is a widely used substitute and produces a perfectly acceptable result, though the flavour is flatter and slightly dusty compared with fresh spearmint. In winter or in regions where fresh nana is scarce, Moroccans themselves use dried mint. Some households add a sprig of wormwood (chiba / Artemisia absinthium) alongside the mint, which gives a slightly bitter, anise-adjacent note — particularly common in northern Morocco. Peppermint extract or herbal tea bags are not substitutes that any Moroccan would recognise.
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